NAME
Matthew Jeffries

AKA
Mattie Moz
The Great Mozini

POSITION
Producer / Engineer / Songwriter

MUSIC BACKGROUND / PRODUCTIONS

• 1987: Forwood School "3rd Grade Talent Show" - Played 1 original song on guitar (my guitar teacher and I wrote it together for the show)
             
• 1992-1997: Garage bands / First recording experience (Doug Jones's Studio) / Played a few shows here and their / Got into Producing & Recording
            
• 1998: Started making beats, recordings, instrumental cds / Producing & Recording for a few local mcs
            
• 1999: Graduate of Recording Workshop, December '99 - Audio Production / Recording Engineer - Chillicothe, Ohio
            
• 2000: Started T-Boy Terror Records / Made the call to Rob Baldwin (aka BIG STEEL/BALDWIN) after hearing "Welcome To My World." (Props to Face, Colosal, and everyone else who worked with STEEL on that album.....that sh!t is mad HOT!!)
            
• 2001: BIG STEEL and I released "Welcome To My World" under T-Boy Terror Records. (Received great reviews, and major record label attention.)
            
• 2002: Produced & Recorded with - BIG STEEL, Colosal, Sin Kattes, Omega, Law, and a few other artists
            
• 2003: Produced music for The Mitchell-Robinson Youth Theatre Company production of - "Alicia In Ghettal-Land" at the "Germantown Theatre Center" - Phila, PA / Produced & Recorded 2 songs with BIG STEEL & Wyatt Erpp for "Felonious," an independent film by Daylight Entertainment (Randy & Tonya Williams)
            
• 2004: Worked for Bunny Sigler (Philly Soul Legend, Grammy Nominated Songwriter, The O'Jays) in Phila, Pa (short lasting, but a lot of fun) / Had music selected for a few MTV & VH1 shows - Pimp My Ride, Date My Mom, and a few others / Got re-introduced to ED 'Booze Hound' BALDWIN (brilliant songwriter/guitar player and a great friend) / Introduced the Baldwins' (Rob Baldwin & Ed Baldwin) to form what is now the Delaware Funk Mobb aka DelFuMo (BALDWIN, ED 'Booze Hound' BALDWIN, Wyatt Erpp, Neja Styles, Joey B, Joe Roe, Steve Polls, and Mattie Moz)
            
• 2005 - Current: Built the new and improved STINKY SHACK STUDIOS (Blue Room w/ vocal booth) / Produced & Recorded many memorable songs with DelFuMo / ED and I have been Producing & Recording a few new artists (email moz@delfumo.com to inquire about getting your productions done at STINKY SHACK STUDIOS)

A FEW PRODUCERS WHO INSPIRE ME
Stoupe, Face, Dre, Alchemist, David Ivory, RJD2 and Premier

OUTSIDE INTERESTS
Right now my outside interests include History, Useless Facts/Information, Antiques/Junk, and Brooke Burke. I want to talk to people about Cocaine abuse. I would also like to start a non-profit organization called M.A.T.T. It stands for "Medication Alternatives 4 Troubled Teens."

EQUIPMENT LIST (INCOMPLETE)

• CONSOLES - Alesis Studio 32 / Digi 002 Control Surface
• RECORDING - Pro Tools LE w/ Plugins, Digi 002, Alesis LX20 ADAT, Digidesign ADAT Optical Interface, Akai GX 4000D Reel to Reel, Teac A-2340SX Reel to Reel, Alesis CD Twin Burner, Aiwa Burner, Technics Tape Deck
• SAMPLER / DRUM MACHINES / SYNTH / INSTRUMENTS - Ensoniq ASRx Pro, E-MU MP7, Hammond DPM-48 Sakata, Roland and Yamaha Midi Controllers, Numark PT-01 Portable Turntable, a Few Guitars
• COMPUTERS - Carillon Audio PC w/ Intel Pentium 650 3.4GHz CPU, 2GB DDR2, 400GB SATA RAID (2 x 200GB), 80GB SATA Drive, Silent Drive Enclosure(s) / Toshiba Satellite Laptop w/ 3.2GHz, 1GB Ram, 100GB hard drive / HP P4 2.80GHz running Mbox/Pro Tools LE, Tascam US-428, E-MU 1212m Soundcard / Vintage Yamaha CX5M Midi Music Computer w/ synth software
• ADDITIONAL SOFTWARE APPS - Sound Forge 7.0, WaveLab, Reason, Live, Sampletank, Arturia Moog Modulator, Orion Pro, FruityLoops, and many many more
• ADDITIONAL - Samson Resolv 65a Studio Monitors, A couple of Alesis Vocal FX Processors, Rode NT1, Sure, Audio Technica Headphones, Olympic Stereo 8 Track, a bunch of studio must-haves

SPECIAL MOMENTS WITH THE MOBB
I've had so many moments I couldn't even list them all, so I'll go with my personal favorite -

I'd been looking for a guitar player to work with me in the studio for a while. I couldn't find anybody that wanted to really work and be discipline enough to pump out mad tracks. For some reason, when I least expected it, a very sweet girl called "Teddy" re-introduced me and Ed Baldwin with each other. I still remember that night very clear....Ed was playing his Small Print cd and I couldn't stop saying to myself, "wow, this dude is fricken awesome!" Ed and I talked for a good while that night. I asked him if he would come over the next day and check out my studio and my music. He agreed........The rest is history.

FINAL THOUGHTS / WORDS OF WISDOM
"Biggie Size That"